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The Wooden Collection

Antique Seal Stamps Crafted from Precious Woods, including Ebony, Walnut, and Rosewood

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This antique seal stamp belonged to a member of the French de Buissy family, a lineage established in Ponthieu (Somme) from at least the late sixteenth century. At the close of the seventeenth century the family acquired the seigneury of Long, where Honoré-Charles de Buissy commissioned the present château around 1733. The design was entrusted to the architect Charles-Étienne Briseux, noted for his mastery of elegant classical country houses. Conceived not as a fortress but as a refined maison de plaisance, the residence embodied the taste and ambition of a provincial noble family intent on affirming its social standing through architecture. Its opulent decoration and costly embellishments, which far exceeded practical requirements, earned it in popular memory the name "Folie de Buissy".

Armoiries famille de Buissy.
The coat of arms of the de Buissy family from France on an antique seal stamp.
Wax seal stamp engraved with the arms of the French familly de Buissy.
Gerry's Collection of Antique Wax Seal Stamps.
Portrait of Pierre de Buissy (1737-1787).

Portrait of Pierre de Buissy (1737-1787)

The Chateau de Long, nicknamed Folie de Buissy.

The Chateau de Long, nicknamed "Folie de Buissy"

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An unlikely match following intriguing research...​ The alliance arms on this seal stamp caught my attention. On the dexter side of the engraving appear arms very similar to that of Jacques Imbert-Colomes: D’azur, au croissant d’argent, surmonté d’un soleil d’or. Jacques Imbert-Colomes was French, but ended his life in Somerset, in the southwest of England. He left four children. On the sinister side, we see arms that correspond to the Frankland family, Baronets of Thirkleby in North Yorkshire. One might speculate that a male descendant of Jacques Imbert-Colomes could have married into the Frankland family, since certain members of the Franklands did reside in Somerset, such as Sir Thomas Frankland, 5th Baronet (1718-1784). Such a marriage would support the idea that this seal stamp once belonged to a couple uniting the two families. However, this proves rather unlikely. Indeed, the dexter position of the assumed Imbert-Colomes arms would indicate that it is the husband that belonged to the French family. Yet Jacques Imbert-Colomes had only one son who never married. On the Frankland side, there is no trace of a marriage with a descendant of Jacques Imbert-Colomes. Their alliances were primarily with members of the English and American aristocracy. Thus, while the investigation is fascinating, the possibility of a marital union between the two families must be regarded as improbable.​

Coat of arms Frankland family.
Blason Jacques Imbert‑Colomès.
Cachet en bois avec armoiries similaires a celles de Jacques Imbert-Colomes et famille Frankland.
Cachet avec armoiries similaires Jacques Imbert-Colomes et Frankland. Collection of antique wax seal stamps.
Engraved arms similar to Imbert-Colomes and Frankland on a wax seal stamp.
Jacques  Imbert‑Colomès.

Jacques Imbert-Colomes

Sir Thomas Frankland, 6th Baronet.

Sir Thomas Frankland, 6th baronet

The Daughters of Sir Thomas Frankland.

The daughters of Sir Thomas Frankland

Blasons similaires aux familles de Jacques Imbert Colomes et Frankland, sur cachet a cire.
Frankland arms engraving.
Thirkleby Hall.

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This old seal stamp comes from Italy. The arms can be described as "Per fess: in chief Or, an eagle displayed crowned; in base Argent, a curved feather". The crowned eagle in Italian heraldry refers to imperial allegiance, often indicating that the family has been granted privileges by the Holy Roman Emperor. It thus appears frequently in arms of Lombard, Venetian, and South Tyrolean origin, regions once under imperial influence. The curved feather (or plume), however, is much less common in heraldry, especially in Italian arms. Feathers in heraldry can represent ostrich feathers, symbolizing obedience or noble status. It can also refer to quills or pens, sometimes used by notaries, scholars, or families with administrative distinction, often depicted straight, not curved. A single curved feather, as in this case, is quite unusual. It might have been a personal emblem rather than a traditional heraldic charge, perhaps alluding to intellect, artistic sensibility, or even a play on the family’s name (arme parlante).

Timbro a sigillo con stemma aquila e piuma.
Timbro per sigillo in cera in legno, Italia.
Stemma italiano con aquila coronata e piuma.
Feather piuma pluma plume heraldique.
Elmo piumato di un barone.
Italian heraldry, eagle, aquila.

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This wooden seal stamp may have belonged to Gabriel Charles de La Condamine and Augustine Jeanne Marie d’Affry de La Monnoye. The d’Affry de La Monnoye were a branch of the old d’Affry family of Fribourg in Switzerland, a lineage that produced notable military officers and diplomats in French service, among them Louis-Auguste-Augustin, Comte d’Affry (1713 - 1793), Lieutenant General of France and commander of the Swiss Guards. In France, members of the main line were formally recognized with the comital title by the King, often in reward for military service. In collateral branches such as de La Monnoye, however, the title was sometimes used as a titre de courtoisie, a courtesy title rather than a formally registered comté. On Augustine’s arms (Argent, three chevrons Sable), the addition of a red border may represent a mark of cadency, which makes it slightly different from the arms of the rest of the family. 

Arms d'Affry with mark of cadency.
Coat of arms of the family de La Condamine.
Sceau aux blasons d'Augustine d'Affry de La Monnoye et Gabriel de La Condamine. Antique collection. Coleccion de sellos antiguos.
Armoiries d'alliance, Augustine d'Affry et Gabriel de La Condamine.
Beautiful antique wax seal stamp in turned wood.
Charles-Marie de la Condamine.

Charles-Marie de la Condamine

Arms of Louis Auguste Augustin d’Affry, Comte d'Affry.
Portrait of Louis Auguste Augustin d'Affry.

Arms of Louis Auguste Augustin d’Affry, Comte d'Affry

Portrait of Louis Auguste Augustin d'Affry

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While the engraving of this stamp is not of the highest finesse, it remains an appealing object... thanks to its handle. The engraved coat of arms presents similarities with the arms of the Millon de Montherlant family: On a green field, a silver tower enflamed in red, surmounted by two silver swords, crossed in saltire. However, the shield of the stamp is Or (gold), so we can assume that it belonged to another family. Nevertheless, research led me to know more about the Millon de Montherlant, a distinguished bourgeoise family from Picardy. They owned the Château de Montherlant, a property acquired in 1755. The Montherlant branch of the family was non-noble, but there are accounts indicating that the use of titles such as "comte" (count) by family members like Joseph Millon de Montherlant in the early 20th century was likely self-assumed.   

Blason Millon de Montherlant.
Ancien sceau en bois avec armoiries.
Ancien sceau heraldique en bois. Collection.
blason avec tour.
Millon de Montherlant.
Henry de Montherlant.
Armoiries de Montherlant.

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This seal stamp belonged to François Léon Boscal de Réals de Mornac. The arms correspond to those of his family, from Saintonge and Languedoc, with a branch in Brittany. Rietstap’s Armorial Général notes two variants of their arms, one with an azure field, the other with gules. Both variants share the combination of an uprooted oak, a fleur-de-lis, and two crescents for the Brittany branch. The attribution to François Léon is supported by the presence of the engraved Brassard de Bordeaux, a French military decoration created on 5 June 1815 by the Duke of Angoulême. The inscription 'BORDEAUX 12 MARS 1814' commemorates the day the city of Bordeaux declared allegiance to the Bourbons. Loyalists who supported the Restoration were awarded the Brassard de Bordeaux, a white armband bearing this motto. François Léon Boscal de Réals de Mornac is known to have been among its recipients.

Azure version, coat of arms of Boscal de Reals de Mornac.
Gravure du blason de Francois Boscal de Réals de Mornac, et brassard de Bordeaux.
Antiguo sello para lacre de madera, nobleza de Francia.
Cachet de François Léon Boscal de Réals de Mornac.
François Léon Boscal de Réals de Mornac.

François Léon Boscal de Réals de Mornac
(1783-1858)

Decoration du Brassard de Bordeaux.
Duc d'Angouleme.

The Brassard de Bourdeaux

Duke of Angoulême, wearing the Brassard de Bordeaux, among other decorations

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This stamp was acquired from a dealer in Nice, France. Research has not yet made it possible to identify the original owner with certainty. However, careful analysis suggests a 17th–18th-century alliance between southern French nobility - possibly a branch of the de Méjanès family - and a German family bearing an eagle on an Or field. The seal may have belonged to a descendant of that union, featuring quartered arms that combine the heraldic symbols of both lineages.

Sceau avec armoiries d'alliance.
Sceau d'une possible alliance de la famille de Méjanès.
Cachet en bois provenant de Nice, France.

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This seal stamp belonged to James Wentworth Buller (1798 - 1865), who was a British Whig politician of Downes, Crediton, Devon, and who served as Member of Parliament for Exeter from 1830 to 1835, and later for North Devon from 1857 until his death in 1865. He was the son of James Buller (1766‑1827) of Downes and Anne Buller, and grandson of another James Buller (1717-1765). He married Charlotte Juliana Jane Howard‑Molyneux‑Howard. The Buller family of Downes belonged to the English landed gentry, an old and influential family but not part of the titled nobility. While their social position was prominent, they were not peers of the realm. However, related branches of the same wider family were indeed ennobled: the Buller baronets of Churston Court (1790) and of Trenant Park (1808), the former later elevated to Barons Churston. Their coat of arms, recorded in heraldic sources, is: Sable, on a cross argent quarter-pierced of the field, four eagles displayed of the first.

Buller coat of arms.
Wax seal stamp engraved with the arms of James Wentworth Buller of Downes (1798-1865)
Wooden wax seal stamp of the English nobility.
Coat of arms of James Wentworth Buller on a wooden wax seal stamp.
Portrait of Charlotte Julianna Jane Howard Buller.

Charlotte Julianna Jane Howard Buller

Arms of James Buller of Shillingham of Cornwall

Arms of James Buller of Shillingham of Cornwall

James Wentorth Buller.

James Wentworth Buller (1798 - 1865)

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This wax sealing stamp, with its beautiful turned wooden handle, belonged to Anatole Ruty, the son of General Charles Étienne François Ruty, Count and Peer of France. Both the father and the son held the same titles - Comte and Pair de France - symbolized in their arms by the mantle of peerage surmounted with the coronets. The engraving of Anatole’s seal shows a subtle difference though: it omits the honorific decorations which are suspended beneath the shield of his father's arms. 

Matrice de sceau d'Anatole Ruty, Pair de France.
Cachet a cire du comte Anatole Ruty.
Cachet heraldique en bois noble et precieux.

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While unfortunately the top of the handle of this stamp is missing, its engraving is remarkable, and hours of research have been needed to identify its components. Like many Spanish coats of arms, this one brings together the heraldic identity of a noble lineage formed through the union of several prominent families of Spain over many generations. At its center appears the oval shield of Vera de Aragón, surrounded by the arms of Figueroa, Guevara, Zúñiga, and Vargas, reflecting a network of alliances that spread across Castile, Navarre, and the Mediterranean dominions of the Crown of Aragon. Around these arms are the royal emblems - Navarre, León, and Sicily - not as claims to sovereignty, but as symbols of ancestral origin or long-standing service under those kingdoms. The badge of the Immaculate Conception is a devotional mark historically favored by the Spanish aristocracy. The seal therefore represents not a single family, but several noble houses brought together in one bearer who inherited or represented these intertwined lineages. While I still have to identify its exact owner, this seal very plausibly belonged to a member of the Vera de Aragón family, who used the surrounding arms to display his ancestral alliances, while reserving the central escutcheon to assert his own house. The pairing of Vera and Sicily arms inside the escutcheon can point to a Vera de Aragón whose career, honors, or station were closely tied to the Kingdom of Sicily.

Escudo de la familia noble espagnola Figueroa.
Escudo de armas Zuniga y Guzman.
Escudo de armas de la familia Vera de Aragon.
Escudo familia nobleza espanola,  Guevara.
Escudo de la famila Vargas.
Sello heraldico con armas de las famiolias Vera de Aragón, Figueroa, Guevara, Guzmán, y Vargas.
Sello de lacre antiguo con arms de la familia Vera de Aragon.
Sello para lacre con armas noble de las famiolias Vera de Aragón, Figueroa, Guevara, Guzmán, y Vargas. Nobleza espanola.
Gómez Suárez de Figueroa, later called Inca Garcilaso de la Vega.
Heraldic research to identify the components and families represented in this Spanih noble coat of arms.
Vicente Maria de Vera de Aragon, Duke de la Roca.

Gómez Suárez de Figueroa

Personal heraldic research

Vicente Maria de Vera de Aragon, Duke de la Roca

Guevara arms in a rare 16th century book of the National Library of Spain.
The complex coat of arms of Vera de Aragon, with the Vargas, Zúñiga y Guzmán, Figueroa, and Guevara families.
Escudo de la casa de los Zúñiga.

The Guevara arms in a rare 16th century book of the National Library of Spain

The complex coat of arms of Vera de Aragon, with the Vargas, Zúñiga y Guzmán, Figueroa, and Guevara families

An old and precious engraving of the coat of arms of the House of Zúñiga

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Further research is required to identify the owner of this stamp, engraved with the two shields of a family alliance. The shield charged with a lion rampant on an azure field is easy to describe but difficult to attribute, as this combination is common in European heraldry. The second shield is more distinctive. It appears to bear three besants, each charged with a cross, accompanied by additional minor charges beneath them. This is far less widespread and may point to a more specific lineage or regional tradition. 

Gerry's Collection of Antique Wax Seal Stamps.
Cachet en bois avec armoiries d'alliance.
Sceau a cire ancien, avec armoiries.

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This ancient seal stamp belonged to the von Just family, a Saxon noble house that originated from an old patrician family of Zittau in Upper Lusatia. As early as 1594, the brothers Martin and Michael Just received an imperial coat of arms from Emperor Rudolf II. The family’s rise to the nobility was achieved through state service rather than ancient feudal status. The key figure was Wilhelm von Just, a highly educated civil servant who studied law in Leipzig and served in the Saxon administration as Privy War Councilor and later Real Secret War Councilor. In 1768, he became the first non-noble recipient of the Military Order of St. Henry. Emperor Joseph II raised him to the hereditary nobility in 1776, and in 1790 he was further elevated to the rank of hereditary baron (Freiherr). His son Wilhelm August von Just served as a Saxon diplomat and Privy Councillor. When the male line ended in 1824, the name and arms passed to the Freiherr von Lindeman-Just family, and they remained part of the Saxon baronial nobility. A later prominent member was Karl Freiherr von Lindeman-Just, General of Cavalry in the Royal Saxon Army.

Petschaft. Siegel der Adelsfamilie von Just.
Antikes petschaft der Familie von Just.
Antikes Siegel der Familie von Just.
Karl von Lindeman-Just.

Karl von Lindeman-Just

Wappen der Familie von Just.

Arms of the barons von Just

Freiherr-von-Lindemann-Just.jpg

Freiherr von Lindemann-Just

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The wonderful arms on this seal stamp are those of the Clermont-Tonnerre family, one of the most ancient and distinguished noble houses of France. Originating in the Dauphiné region, the family can be traced back to the Middle Ages and long held the lordship of Clermont. Its members served the Crown in military, diplomatic, and ecclesiastical roles for centuries. Among the most notable figures was Gaspard de Clermont-Tonnerre (1688-1781), Marshal of France, who distinguished himself in the War of the Austrian Succession and held high command under Louis XV. Another prominent member, François de Clermont-Tonnerre (1751-1794), was a statesman and liberal nobleman who played an important role at the beginning of the French Revolution before falling victim to the Terror. The Clermont-Tonnerre family embodies the traditions of service and continuity of the French high nobility.

Blason de la famille Clermont Tonnerre.
Sceau a cire ancien. Matrice aux armoiries des Clermont Tonnerre.
Armoiries de Aime Marie Gaspard de Clermont Tonnerre.
Sceau aux armoiries des Clermont Tonnerre. Collection de cachets anciens.
Gaspard de Clermont Tonnerre.

Gaspard de Clermont Tonnerre

Sceau de collection aux armoiries de Clermont Tonnerre.

Seal stamp of the family de Clermont Tonnerre

François de Clermont Tonnerre.

François de Clermont-Tonnerre

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This antique wooden and silver wax sealing stamp is engraved with a finely worked coat of arms whose owner remains unidentified. The shield is quartered with towers in each quarter and bears an overall fess charged with three cinquefoils, a composition typical of Northern French or Belgian heraldic traditions. Surmounted by a noble coronet and framed by ornamental mantling, the seal reflects the status of a minor noble or notable family. Its craftsmanship suggests an 18th–19th-century origin.

Sceau de collection ancien.
Gerry's Collection of Antique Wax Seal Stamps.
Sceau, noblesse d'Europe, argent et bois.

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This is a seal stamp of the Badáni (Badányi) family, an old noble lineage rooted in the Spiš (Zips) region of present-day Slovakia. The family name likely originated from the Hungarian form of the older name Bodony or Bodon, first recorded among Spiš nobility in the late 16th century. During the 18th century, the family expanded into nearby villages and used the noble predicate "de Maldur et Hollólomnitz". Their coat of arms existed in two variants, both featuring a silver dove holding an olive branch, symbolizing peace and faith. The last known descendant of the family was Hedvig Mária Szirmay (1895–1973), granddaughter of Matej Badányi. After the fall of the Austro-Hungarian Empire, noble privileges were abolished and family estates were confiscated through land reforms. With Hedvig’s death, the Badányi family effectively became extinct.

Arms of the Badáni family (Badányi).
Antique wax seal stamp of the family Badani, or Badanyi.
Collection of antique desk seals. Seal of Badani family.
Petschaft. Seal collection. Slovakia family Banani, or Badanyi.
Matej Badányi.

Matej Badányi

Badanyi coat of arms.

Coat of arms of the Badányi (or Badáni) family

Eleonóra Badányi.

Eleonora Badányi

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Even when it is not possible to identify the owner of a seal stamp, it can be a source of new knowledge. The arms engraved on this one present clear similarity with the arms of Zevenwouden, also written Zevenwolden or Seven Wolden. Zevenwouden was not a family name, but a territorial lordship located in the northern Netherlands, in the province of Friesland. Its name literally means “Seven Woods,” referring to a heavily forested region that once formed a distinct administrative and seigneurial unit. The traditional arms of Zevenwouden typically depict a stand of trees, symbolizing the wooded landscape that gave the territory its name. Such a woodland imagery appears prominently on the seal stamp. The two deer acting as supporters are traditional symbols of the forest and are frequently associated with hunting privileges, which were historically reserved for the nobility and territorial lords. Their inclusion may therefore allude to rights over woodland, game, and rural estates. This seal opens a small heraldic window into the territorial culture and landscape of northern Europe.

Lakstempel met wapenschild van Sevenwouden, Seven Wolden, Zeven Wolden.
Lakstempel met wapenschild van Sevenwouden, Seven Wolden, Zeven Wolden.
Wapenschild van Sevenwouden, Seven Wolden, Zeven Wolden.
Zeven Wolden, wapenschild Seven Wolden, Zevenwouden.
Lakstempel met wapenschild.
Kaart Zeven Wolden.

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This interesting antique wax seal stamp is mounted with an elegant but rather unusually shaped wooden handle of only 4,5cm high. The matrix  is engraved with the arms of the Achard family, an old noble lineage established in southern Normandy, notably in the Passais, Andaine, and Domfront regions. From the Middle Ages onward, the Achards are documented as knights and écuyers, serving the Crown and holding seigneurial lands such as Saint-Auvieu, the Pas de la Vente, and Bonvouloir. One branch later produced a Comte de Bonvouloir, whose title reflects the lasting prestige attached to this estate. Closely associated with the fortified site of Bonvouloir, the family combined military service, local authority, and careful management of its domains, with members active in royal armies, provincial administration, and strategic marriages that linked the Achards to other notable Norman and French noble families across several centuries.

Blason de la famille Achard.
D’azur, au lion d’argent, lampassé et armé de gueules, à deux fasces alésées et brochantes du même.
Sceau de la famille Achard de Bonvouloir.
Cachet a cire de la famille Achard de Bonvouloir.
Armoiries sur sceau ancien de la famille Achard de Bonvouloir.
Armoiries de la famille Achard de Bonvouloir.
Luc-René-Charles Achard, comte de Bonvouloir.
The keep and watchtower of the Manor of Bonvouloir.

Coat of arms of the Achard de Bonvouloir family

Comte Luc-René-Charles Achard

The watchtower of the Manor of Bonvouloir

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Gerry's Collection of Antique Seal Stamps.

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